Welcome to Enterbrainment!
Welcome to Enterbrainment!
Is our society going to hell in a shopping cart?
Headlines are screaming about the death of books and the rise of "reality" television. "Independent" film is being coopted by big studios, fiction writers by the gaming industry, and everybody else by YouTube and MySpace. Trash seems to be winning against treasure.
I'm one of those screaming the loudest about this, even while I spend my reading hours online, watching The Pussycat Dolls Present Girlicious and blogging my heartbreak over the decline of Battlestar Galactica.
At the heart of this ongoing kerfuffle are two dichotomies: the one between high art and low art, and the one between public and private.
The terms "art" and "entertainment" are often used to divide "high art" (classical and modern dance, music, theater, art film, literature, and visual arts) and "low art" (commercial pop music, anything hip hop, television, gaming, anything internet-based, and industrial design). As if commercial arts didn't require high levels of skill and creative sensibility ... as if high art wasn't supposed to be entertaining.
A lot of critics and artists have been busy defeating the high/low dichotomy in this generation (there's always a high/low dichotomy), but more interesting is the breakdown of public and private space.
Because right now, "entertainment" coverage in the media definitely has a different focus. If you look up R. Kelly in "arts," you'll find reviews of his almost yearly album releases, but if you look him up in "entertainment," you'll get up-to-the-minute reports on the progress of his child pornography trial.
That's because "entertainment" is a category of focus that does double duty. The first is "arts" review and discussion for genres too low-brow to interest the artsy-fartsies (mainly television, gaming, and social networking celebrities). The second is news about the personalities that make the "arts and entertainment" happen: not just artists and producers, but also high-profile hangers-on. Not just Brit-brit's custody battle, but also Adnan's stabbing drama.
So entertainment coverage is actually a public battle between publicists and paparazzi for control of celebrity stories. Which is to say, celebrity coverage is itself an art form: storytelling using real lives as material.
So, who gets to tell the story? And what story are they telling?
Well, thanks to the power of the internet, who cares who's telling it, because I'm spinning it. And let me take this opportunity to declare myself beyond caring about "high" and "low" art. Poot. (public and private, as far as celebrities are concerned, are inextricably mashed up, at least for now. We'll check in on that issue again, though, believe me.)
I want to talk about TV and YouTube and World of Warcraft as if they were high art. Let me dish dirt about MoMA's latest show stoppers or which National Book Critics Circle Award winner is having an affair. Let me engage your minds and intellects on behalf of Brit-brit and Kelly ... and Flav, and Clay, and Ashley Alexandra Dupre. Let me bring you whatever the hell we can find that is artistic and entertaining and trashy and true.
Welcome to EnterBrainment.
All About Me
All About Me
I love independent media, both on and offline, and have spent most of my adulthood in the arts and in my Asian American and mixed-race communities, helping folks find and develop their voices. In my world, a media presence and representation in popular culture ARE political issues essential to the uplift of every race, class, and marginalized group.
I co-founded and was a senior editor and development director at Hyphen magazine, and I've been a contributing editor at Other magazine as well. I also worked for ten years in nonprofit administration in the San Francisco Bay Area, particularly arts in the Asian American community. Check out Kearny Street Workshop and its annual arts festival APAture if you're in the Bay Area in the fall.
I currently serve on the Board of the Carl Brandon Society, a nonprofit supporting writers of color who work with speculative genres. (That's right, we're sci-fi geeks!) We offer two scholarships to develop writers of color professionally, we give out two annual literary awards, and maintain a number of other programs to promote PoC in speculative fiction.
I have an MFA in fiction from San Francisco State University, and, as one does when one has an MFA, I've taught writing at SFSU, Kearny Street Workshop, and San Francisco's School of the Arts.
You can see my writing in McSweeney's issue #14, and a forthcoming issue of The Encyclopedia Project. Yeah, I'm still working on the being published thing. You can hear me reading a short story here.
I keep two personal blogs, SeeLight (about writing and books and politics and other stuff) and atlas(t) (about mapping, urbanism, landscape, and geography), and also post reviews at the Bay Area NPR affiliate KQED's arts and culture website. I also blog at Hyphen magazine's blog. You can see feeds of all of these blogs to the right.
In the spirit of Tayari Jones' list last year, here are some holiday (or general) gift suggestions for the writers in your life, both do's and don'ts.
DON'T buy your writer books unless they are young, beginners, or you know they're poorly read. Writers--real writers--are voracious readers and must be given the freedom to self-direct. Also, unless you talk to them about books all the time, you don't know what they've read. If there's a particular book that you really want them to read that you don't think they know about, go for it, but don't buy them something because you heard it was good and thought they might like it.
DO buy gift cards to book stores, or a LibraryThing or PaperbackSwap account.
DO pick an art form that you know they don't experience enough of (dance, or music, or theater) and buy tickets to see a really hot show. Be sure to include drinks afterward, so they have someone to talk to about said show.
DON'T buy pens, paper, or (especially not!) notebooks. Writers are VERY particular about their writing implements, and unless you know specifically what type/brand they want, don't buy implements for them.
DO get a gift card to a stationery store, or if they write on their computers, find out what software they use and buy them something new, like Scrivener. If you buy a disk from a store, be sure to get a gift receipt so they can return it.
DO get them a gift card to a computer store (esp. the online store they use), especially if you know that their computer is dying. If they're getting ready to buy a new computer, they can put your gift towards it.
DON'T buy them books on writing or publishing. If they know what they're about, chances are, they've already looked into these books and have already read the best and ignored the mediocre ones.
DO invest in something career related ... what that really means is, give them a home-made gift certificate for a specific amount of money you will invest in some career development opportunity, like a writers conference, or a class, or a workshop, or a writing contest. These things are expensive (weekend conferences can cost hundreds of dollars before you figure in travel or accommodation costs; submitting to a writers contest can cost $20 or $40 or more).
This is a wonderful gift that says both that you take them seriously as writers, and that you're willing to give them money toward developing their careers. But be sure to pay up when they decide what to spend it on!
DON'T stress about trying to occupy a writer's mind or give him/her ideas. That's part of their JOB, and you don't have to help out with that.
DO worry about their bodies. Give them a year's gym membership, or a gift certificate to a public bath, or a massage (or series of massages!) Give them things that will help maintain or improve their health.
DO arrange a spa date! Especially if you go with them.
DO give them a gift certificate for manicures. I don't know about other writers but I'm very dependent on my hands (for typing) and bite my nails to keep them short enough to type. As a result, I suffer from hangnails. If someone bought me a manicure a month for a year, I would bless them forever.
DON'T waste your money with joke gifts or junk.
DO, for a writer who is trying to write for a living, give money. Freelancing is hard.
DO, If you have a nice guest room in your lovely home, or a vacation house, tell your writer friend that they can use it for a week or a month (or however long) when they're ready and they need it, for a writing retreat. This may not seem like much of a gift to you, but to a writer who is desperate for some quiet me time to push out that draft, this could be the one thing in the world no one else can give them.
Also, unless you have that kind of relationship with the writer, just saying "you can use my guestroom/house anytime!" might not be enough. The writer might be hesitant to take advantage, so formally giving an amount of time as a holiday gift might make it easier for them to actually take you up on it.
I've suggested a lot of gift certificates, so here's a shopping list of gifts at different amounts:
- $10-15 will buy a decent writing notebook, like a moleskine.
- $15-20 will cover a decent manicure in your writer's neighborhood.
- $20-40 will cover the entry fee for a writing contest.
- $25 will cover the cost of one new hardcover book (most of 'em, anyway). These are the books hardest for a working writer to get ahold of, but also the ones they might most want to read.
- $40 will buy Scrivener, the hottest writing software right now for book-length projects. It's a download, not a disk, and you can find it here.
- $40-60 will cover the application fee for a fellowship or an MFA program. (If they're talking about doing either of these.)
- $60-75 should be enough to buy a massage for 45-60 minutes, depending on where you go.
- $75 will buy a month's membership at a 24 Hour Fitness Gym. I imagine other low-cost chains are comparable.
- $130 will upgrade their Mac operating system. Undoubtedly, Windows will cost less.
- $150 will buy them the new MS Office Suite.
- $240 will buy a year's worth of manicures.
- $350 will buy a year's membership at a 24 Hour Fitness Gym. I imagine other low-cost chains are comparable.
- $750 is the cost of a week at the Squaw Valley Community of Writers, not including housing or travel.
- $2345 is the cost of a week at the Breadloaf Writers Conference, not including travel.
- $3000--30,000 will cover tuition for one year of a master of fine arts program at most universities.
- $30,000 should get most writers with no chronic illnesses through one year of life in most areas of the United States (but maybe not so much for San Francisco, New York, and LA).

<q>South of the Mason-Dixon lurks a strange world of gods and monsters born of years of slavery, civil war, innocent blood, hate and strife. The daughter of a poor black sharecropper, Lee Wagstaff, joins a blues-singing swamp monster name Bayou on a southern odyssey through a mythic combination of depression era Mississippi, African mythology and American folklore in order to rescue her childhood friend and save her father's life.</q>
Bayou is by Jeremy Love and Patrick Morgan.




